BOOK SERIES ADVENTURES

This blog first appeared on the Hometown Reads website [https://HometownReads.com], which I highly recommend to both readers and authors seeking to learn more about the art and business of publishing books!  Just click https://hometownauthors.com to view a variety of articles from member authors…

You’ve published a book series!  A true accomplishment, regardless of whether you planned it or not.  But while you were promised great things would emerge at this point in your writing career, you are facing a few challenges.  Allow me to tell you about issues I’ve confronted during publication of Murder on Mokulua Drive, the second Natalie Seachrist Hawaiian mystery

Elemental Consistency
Beyond avoiding copyright violation in the chapter-opening quotes I use, I guard against repetition.  During pre-publication review of Murder on Mokulua Drive, I discovered I’d reused a quote from Prospect for Murder.  My records of aphorisms now indicate when and where a quote is used.

Character and locale Parity
Initially, I had a male protagonist.  Whoops…my writers’ salon found that “voice” more appropriate to a woman.
Names, their spellings, descriptions, and pronunciation must all be checked.  Imagine my chagrin in realizing I’d changed a name’s pronunciation mid-way through PFM’s audio edition!
While my protagonist thinks in whole words, she speaks with contractions.  I now begin each book by reviewing my chart of persons, places, and their characteristics. 

Plurality
Promotional text highlighting aspects of a single book must encompass each title in a series.  Having multiple titles often means having different editions.  For PFM, I had hardcover, softcover, Ebook, and physical and digital audio editions. MOMD is currently available in only hardcover and Ebook. Softcover and audio references (like “Audible.com”) are omitted when describing the second book.    

Presenting Yourself
If you have a publisher or literary agent, they may have guidelines for presenting yourself personally, online, and in traditional and social media. If you’ve never been in the public eye, you may be grateful for suggestions about wardrobe, hair, accessories, and makeup [yes, men sometimes require makeup].

What you say and how you relate it will shift depending on the media or venue.  I’m not suggesting you become a shape-shifting chameleon, but envisioning each audience helps you see yourself as they will.

Marketing Yourself
Regardless of who directs your marketing, examine media kit samples to see what you should prepare.  This will include bios, photos, sample media releases, and relatable stories, covering:
~  Background [family, education, career]
~  Daily Life [home, work, writing locale, pets, hobbies]
~  Writing Methodology [research, writing, editing]
~  Influential People [affecting your work and life]
~  Author Experiences
~  Changes in Your Writing

Describing Yourself
Were you initially described as a debut author? That’s no longer relevant.  What other life changes will impact your self-description.  Are you in a new professional position?  Where do you live, or travel for research, sales, and presentations?   

Elastic Promotional Text
Periodically (and in varying length), you’ll need to restructure text for:
~  Media releases about books, awards, appearances
~  Bios for ads, event programs, introductions
~  Submission of your work for reviews and contests
~  Website discussions of your life and authorship
~  Social media posts, comments, and event announcements

Welcoming Images
Gather images to stimulate the interest of colleagues, readers, listeners, and the general public including:
~  You and your surroundings
~  Events in which you participate
~  Images attracting your interest
~  Organizational and community involvement
~  Images relevant to characters, scenery, and activity in your writing

Designing Inviting Websites and Blogs
Working alone or with a web master, there are many aspects to consider.  First, you may have a website from before becoming an author. Some elements may be recyclable.  With bios, book synopses, and pertinent images available, much of your material is ready for upload.  You just need to weave it all together to appropriately reveal you and your work.  Consider:
~  Styles appealing to your target market [realism, art deco, country kitch…]
~  Colors [you like and wear; those describing your work]
~  Shapes reflecting your style and work [linear or curved]
~  Textures, natural or man-made [wood, silk, metal, stone, plastic]

Final thoughts?  Well, there’s nothing final about the process of writing…or of marketing your work.  As with your compositions, keeping electronic and hardcopy samples of your promotional material, will help you shape attractive representations of your unfolding life’s work! 

Wishing you the best,
Jeanne Burrows-Johnson, wordsmith and design consultant

 

 

A Birthday Review

In checking the date of my last blog, I realize how long it’s been since my last one. With all that’s taken place in the last couple of years, the conclusion of 2017 and the arrival of 2018 inspired me to examine the process that brought me to my recent birthday. 

Birthday Milestones
Have you found that for most people, birthdays are either super important, or nothing at all?  I guess I fall into the latter category…with a few exceptions.  At age eight, my grandmother baked a cake with a beautiful doll embedded in the center.  At 21, I was treated to gourmet French cuisine by a young man on a limited budget. I was surprised on my fiftieth birthday with a party planned by friends, colleagues, and clients.  

Near the end of 2017, I was honored when Prospect for Murder won first place for 6 x 9-inch cover art and was a finalist in the mystery and suspense category of the New Mexico-Arizona Book Awards.  At New Year’s, I was preparing for the publication of Murder on Mokulua Drive (the second Natalie Seachrist Hawaiian mystery).  Almost daily, there were details of publishing that needed to be considered…The days passed quickly, and it seemed that I had barely signed my contract with Artemesia Publishing when the book arrived on my doorstep.  The colors of the cover were evocative and the texture of partial embossing delightful.

In my contemplation of how I have reached this point in my career as a writer, design consultant, and speaker, I focused much of my attention on one event…

An Opportunity for Public Speaking
In 2017, I was asked to read my work at a meeting of the local chapter of the National Writers Union [NWU].  However, I wanted to offer attendees ideas that might prove useful in their own work.  What would be the theme of my presentation?  I began by examining both completed and planned projects.

I soon recognized a pattern of recycling in much of my writing.  This reached beyond what was embodied in the anthology, Under Sonoran Skies, Prose and Poetry from the High Desert.  For this project, I joined fellow authors Bill Black, Susan Cosby-Patton, Kay Lesh, Patricia Noble, and the late Larry Sakin, in offering pieces spanning several decades.  Aside from serving as art director and indexer, my contributions included a series of historical articles on Tucson, Arizona, an essay of advice to entrepreneurs, and one poem.  The only thing that was wholly fresh, was the poem.

As I considered the Natalie Seachrist series, I saw the weaving of elements from the lives of people I have known, my own life experiences, pan-Pacific history, and the multi-culturalism of Hawai`i.  It may seem as though I’m speaking like an author with a dozen published books, so I should mention that the third book, Murders of Conveyance, is finished, and Yen for Murder is nearing completion.  Unfortunately, the publishing business almost always lags behind an author’s actual output…

Looking through articles I wrote for clients and non-profit organizations, I again found a fusion of aspects of fact and fiction.  Even the ads and commercials I have helped shape blended components from today and yesterday, as I sought to merge where we find ourselves today with our journey to arrive here.

Eventually, I opted to read selections of my work for the NWU, while sharing how each had developed from earlier pieces.   I also suggested that my listeners create electronic files with verbiage that had fallen to the cutting room floor during editing, as well as electronic and hardcopy folders with concepts for future projects.  This has helped me to outline several future adventures for Natalie and her colleagues to experience…

An Author of Non-Fiction as well as Fiction
At the juncture of 2017 and 2018, I was also working on a new book of non-fiction, Conversations with Auntie Carol.  This is a series of seven oral history interviews planned for presentation in both print and audio editions.  Dating from 25 years ago, Caroline Kuliaikanu`ukapu Wilcox DeLima Farias told stories that delight audiences of many ages and backgrounds.  They range from episodes in her youth in `Ulupalakua, Maui, dancing hula awana in Waikīkī on December 6, 1941, and being a member of the family that includes Robert William Kalanihiapo Wilcox, a leader of the 1895 royalist rebellion to restore the sovereignty of Queen Lili`uokalani.

Becoming an Author
My birthday review began with remembering that NWU address, and then paused at the Auntie Carol and Natalie Seachrist projects.   Next, I moved on to a consideration of my overall life journey.  How had I reached the point of being an author of multiple books?  Today, students in college and even high school are urged to recognize that they will probably have multiple careers in life.  How does one plan for this?  Consider my own experiences.  I spent years in training, performance, and teaching in the performing arts.  I worked in marketing and public relations for decades.  I earned a bachelor’s degree and had advanced education in history.  How could I have planned a more appropriate background for eventually becoming an author?

What about you?  Serendipity may have played a role in your arrival at the point where you find yourself today, but careful analysis and planning can help you determine where you will go next…and where you may conclude your earthly sojourn.  What can you do to strengthen your chances of liking new directions?  Consider the following

~  Are there projects you need to complete?
~  Are there people with whom you should reconnect or disconnect?
~  Should you embark on a program of education and self-improvement?
[Are you aware that you can take college classes by audit rather than credit?]
~  Do you need to widen your daily experiences to enhance your well-being?

In closing, my recommendation is to give yourself credit for having arrived at the point where you are in life!  There is only one of you…and the world should be a better place by your very presence!!!

Wishing you the best in your writing endeavors,
Jeanne Burrows-Johnson, wordsmith and design consultant

To learn more about the first book in the Natalie Seachrist Hawaiian mystery series, Conversations with Auntie Carol, and other projects, please visit my author’s website at JeanneBurrows-Johnson.com  For more ideas to strengthen your Wordpower© and branding, please visit: ImaginingsWordpower.com.

 

Dreaming Your Way to Success

Have you heard of lucid dreaming?  This is when a dreamer is fully cognizant of being in a dream state.  Some authors actually work at learning to control this form of dreaming as a means for shaping their projects, regardless of whether they are focused on fiction or non-fiction.

Dreamscaping or dream sculpting (as the process is sometimes called) allows the dreamer to actively contemplate the contents of a dream while asleep—and to question how these subjects may be relevant to their personal or professional living.

Dreamscaping Your Creative Project
Wordsmiths and artists are often encouraged to keep notebooks at hand for recording stray thoughts that can help them maximize future creativity.  This includes placing a pen and paper by your bed for capturing ideas that may materialize during the night. 

Regardless of your type of work, I’m rather certain that you have awakened on more than one morning (or the middle of a night) and thought, “Hmm, that was an interesting dream.  Now what was there about it that I wanted to remember?” 

For those of us relying on random ideas on which to build our shaping of words and images, it can be important to retain unexpected thoughts.  I can report that I have benefitted from vigorously striving to record the contents of potentially significant dreams.  And I’ve suffered the disappointment of having forgotten to have the implements for recording anything before falling back into a deep and dreamless state.  The mornings that have followed have been very frustrating.  Far worse than a simple hangover experienced by authors of yore!

My Methods of Directing the Dreaming Process
A simple Internet search will yield instructional resources for learning to implement Lucid Dreaming.  As I’m not a specialist in this field of study, I’ll merely share how I have approached the topic. 

After reading some background material, and discussing the concept with artists, I decided to delve into the process several years ago.  I began my sojourn in this endeavor by placing a retractable pen and small bound book for journaling on my bedside table.  Do note that having a pen without a lid has proven invaluable to my night-time note writing, since I’m rather clumsy and a bit befuddled when rising from a vivid dream.

Most evenings, I spend a few minutes before going to bed contemplating projects I wish to undertake the following day.  Often, this is while rocking in a chair and petting my cat, which I find soothing on several levels.  I then read a few pages of both meditative and mystery books.  After turning off my reading light, I review my to-do list.  I won’t claim that my contemplation of work goals is directly responsible for yielding inspirational ideas during the night.  However, these practices do serve as an off-switch for my overactive mind. 

As anyone attempting to call me in the a.m. will attest, I am not a morning person.  Some of my best work is born in the silence of nocturnal hours.  So prior to entering my pre-sleep routine, I’m already in a creative thinking mode.  The number of hours I spend in sleep varies, but when most people are rising to their own days of productivity, often I am entering my deepest dreams.  While most may seem unrelated to the work I envision undertaking, they are varied in topic and have a film-like quality. 

Results from My Dreamscaping
Having disciplined myself to interrupt the dreaming process, I can now report overall success in benefiting from dreaming with lucidity.  Records of some of my dreams make it into my journal.  Elements of others capture my attention sufficiently to be recalled for several hours after my waking. 

Perhaps the worst challenge that arises from the overall experience, is being forced to fold new concepts into work I may have considered complete.  Sometimes that means reprinting quite a number of pages of text due to a minor edit in their midst.  However, I’m thrilled to report that expanding a character’s role by having her play a bamboo flute has yielded a lovely audio element to that scene… and an interesting twist to the epilogue for Yen for Murder, Book Four in the Natalie Seachrist Hawaiian mystery series!

Wishing you the best in your writing endeavors,
Jeanne Burrows-Johnson, wordsmith and design consultant

To learn more about the first book in the Natalie Seachrist Hawaiian mystery series (Prospect for Murder), Conversations with Auntie Carol, a series of Hawaiian Oral History Interviews and other projects, please visit my author’s website at www.JeanneBurrows-Johnson.com.  For more ideas to strengthen your Wordpower© and branding, visit: www.ImaginingsWordpower.com

 

THE AUTHOR RECYCLES

New Creations From Old Work

 In past blogs I’ve talked about examining your previous work as a writer.  Not only does this allow you to measure your progress, it also provides a pool of sources for new directions in content and style.  I am a member of the National Writers Union and the local chapter recently asked me to be their featured speaker at a monthly meetingOften, their speakers read from current projects, but since I’d help to fill in the previous month with a reading of both the Prologue and Epilogue from PROSPECT FOR MURDER [the debut title of the Natalie Seachrist Hawaiian mystery series], I decided to give a talk on how I’ve recycled parts of past projects.  While there’s nothing novel in this concept, I thought that in detailing how I’d used pieces I’d created during my years in Arizona, I might stimulate my listeners to consider the ways in which they might draw upon works in their own files…

Wordsmiths Don’t Fall into a Single Demographic Description

When you look around any gathering of writers, you’ll find that we’re: Young and old; formally educated and barely literate in the grammatical sense; gifted melodious speakers and hoarsely halting readers; technical prodigies and flawed yet persuasive explorers of every topic imaginable.  The breadth and depth of our compositions are as varied as we are.  And usually, if we’re old enough, such variety will be found spread throughout our individual bodies of work.  

In projects of both fiction and non-fiction, I draw on a background in business, education, and the performing arts.   As might be expected, there is no consistent pattern to my output—except for the decades of public relations, marketing, and design consultation I’ve performed for executives and their profit and non-profit entities. 

Forms from the Past…

In preparing for my talk, I looked over previous work I had drawn upon for recent print, audio, and Internet projects.  Not all were inspirational gems of form, content, or style, but each item I had chosen to re-purpose fulfilled a specific need.  With every new project, I contemplate how the assignment fits within the scope of my professional history.  Not only do I look for concepts, data, and text that may yield something I can reuse, but also the bits and pieces that should be moved to the recycle bin.

…Reshaping for Today and Beyond

This year’s springtime file pruning produced some of everything.  I found business cards, ads, and brochures that could be used for marketing workshops. As I continued my file and closet clearing, I eyed posters and signage that could be augmented with a large artistic label for some future event.  I quickly dismissed them as ineffective for a speech delivered from a podium.  There was, however, one item I could share:  a copy of Stephen Covey’s famous matrix of time and productivity management.  The gist of this true jewel of philosophy is that if we focus on aspects of both our personal and professional lives that are important but not critical, we’ll be better prepared for challenges that may arise.

After a brief introduction of this principle to open my talk, I noted how elements of past writing had been folded into my writer’s blog [for samples, please visit https://www.Blog.ImaginingsWordpower.com].  From project inspiration to background research, through the phases of writing and editing, production, and marketing, I discussed how I select issues that may be of interest to other authors and artists.  In addition to mentioning a few of those blog topics, I provided examples of material I’d chosen to use in recent book projects.

~  When I joined with five other authors to publish UNDER SONORAN SKIES, Prose and Poetry from the High Desert,  I contributed both fiction and non-fiction.  With new and as well as re-shaped pieces, we all expanded our repertoire.  Knowing that publication of  Prospect For Murder was approaching, I included its prologue.   I also featured historical articles such asThe Holidays in Tucson, 1878,” which I read at the NWU meeting.   

~  In  Murder on Mokulua Drive [the second book of the mystery series], I’ve drawn on notes from my studies in history, plus a series of oral history interviews I conducted many years earlier.  This has allowed me to mention the first woman registered to vote in the Territory of Hawai`i in 1920, and to place a major scene in the historic and ecologically significant site of Kawai Nui Marsh.  

~  The compilation of the oral history interviews, Conversations with Caroline Kuliaikanu`ukapu Wilcox DeLima Farias has indeed proven to be an invaluable resource.  Carol was a dear friend seeking to preserve her family’s history, library and other artifacts.   Descended from Hawaiian nobility, her recollections of life in upcountry Maui in the early twentieth century and dancing hula in Waikīkī on December 6th, 1941, delight both readers and listeners.  In reshaping the layout for a book of the seven interviews and an audio edition comprised of the original recordings, I described how this resurrected project is benefiting from the comprehensive glossaries I’ve constructed for the Hawaiian and other non-English vocabulary included in the Hawaiian mysteries. 

~  Finally, I referred to the fourth mystery, A Yen For Murder, for which I examined promo materials I wrote for Highland Games and the Hilo International Festival on the island of Hawai`i during the 1970s.  This led to having Natalie reminisce about hearing a remarkable young woman play the Japanese koto at the Festival…and decades later having that woman, then a Buddhist priestess, become the victim.

In the future, I anticipate giving talks on the authorship process, for which many of these examples will be useful.  Of course, there will also be samples of flawed book covers, changing email addresses, and evolving reviews to reference.  How does all this relate to your work?  Well, I wonder what awaits you when you dive into your own files.  Will you choose to build on your dramatic successes?  Or will you determine that what was once viewed as a failed project may rise to the realization of full and positive fruition?

Wishing you the best in your writing endeavors,
Jeanne Burrows-Johnson, wordsmith and design consultant

To learn more about Prospect for Murder and other writing projects, please visit my author’s website at Https://www.JeanneBurrows-Johnson.com.  For more ideas to strengthen your Wordpower© and branding, please visit: Https://www.ImaginingsWordpower.com

Empowering Your Words with Effective Sequencing

For decades, I’ve shaped effective written materials for clients and myself.  At the end of assignments, clients often ask if there’s a definitive method for generating quality writing.  Unfortunately, while aspects of the pieces I write can serve as virtual templates, I have to report there’s no magic potion for guaranteeing effectual wordsmithing.  For anyone.  Amateur or pro, the key to quality writing is blending creativity with exhaustive editing.

Feeling nervous to launch your writing project?  Ask yourself one simple question:  Am I so focused on the final product that I’m inhibiting my ability to write?  Your honest answer might be a reluctant yes.  If so, merely facing a pen or keyboard can be traumatic.  In response, consider performing a visualization exercise.  Without committing yourself to serious meditative practices, you should be able to picture your target audience reacting positively to a large screen presentation of your message.  Armed with this optimistic image, you should feel better prepared to set your verbal vehicle on the path to success.

How will you reach your goal?  Regardless of the type of text you are composing, I’ve found that outlining is an invaluable tool.  I believe there are three essential steps to shaping a focused outline:

~  Write a mission statement summarizing your project’s purpose
 ~  List key points in a progressive sequence that validates your summary
~  Craft a closing statement summarizing how you’ve met the goals of your mission

You now have a recipe for determining the content and sequencing of the elements of your composition.  The exact position of the various components will vary, depending on the product you’re fabricating.  The key points on your list may yield paragraphs in an essay, article or speech.  They may also become individual pages in a website.  If you are seeking financial backing for a new business, they could become categories within your business plan.  And fiction?  Well, your list may be the plotline that yields the chapters of a prize winning novel.

Despite my assertion that such organization will aid every writing endeavor, do not suppose that good writers never experience confusion, indecision, or misdirection.  The writing process is a dovetailing of creative and technical activity.  As you plunge into the construction process of your project, you will need to alternate between capturing the essence of what you want to say and coldly editing what you have written.  The beauty of this double pronged approach is that you can let your thoughts flow freely, knowing that the structure of your work will evolve as you edit your way toward a harmonious conclusion. I certainly found this approach to wordsmithing invaluable in writing the first Natalie Seachrist Hawaiian mysteries, Prospect For Murder.

This approach facilitates your remaining productive, even when experiencing writer’s block.  For if you feel your creativity as a writer has stagnated, you can turn to another aspect of the project.  Is there supporting material that requires your attention?  Perhaps you need to shape a bibliography or glossary, or a preface, afterword or acknowledgement section If you’re responsible for printing, broadcasting, or uploading the final product, you may also need to work on color, form, texture, and artwork to present your thoughts with dynamism to your readers or viewers.  And, of course, there’s always your personal bio or corporate mission statement to revisit…

Wishing you the best in your writing endeavors,
Jeanne Burrows-Johnson, wordsmith and design consultant

For more ideas to strengthen your Wordpower© and branding, please visit:
https://www.ImaginingsWordpower.com

To learn more about Prospect for Murder and other writing projects, please visit my author’s website at Https://www.JeanneBurrows-Johnson.com.  And for more ideas to strengthen your Wordpower© and branding, please visit my website:  Https://www.ImaginingsWordpower.com